Iakovos Volkov: 2019

Showing posts with label 2019. Show all posts

Wednesday, April 29, 2020

now more than ever...

Last year we ( me and my girlfriend ) were in Serifos for REMAINS
This is a sample of our waste for about 8 days including Kimolos and Milos
Most of the garbage are plastic bottles since you can't drink tap water on most greek islands and probably none. The rest are food packages from mini markets and take away shops.
I kept 2/5 of the waste to document it and to remind myself to make less.

Monday, July 8, 2019

its like we've never been there...

''the time we spend together'', in situ installation at Perseas ( Xenia Guest room ), Serifos island
the exhibition runs till 21 of July
thank you Nefeli Papanagiotou

Friday, June 21, 2019

noone knows where will it take us...

An abandoned factory on the island of Kea (Tzia). In most of the parts it has virgin walls and rooms.
No locks or any signs just a lot of bushes and some of them sticks. Worth visiting if you ever come on this 2 hours trip from Athens.

about this diary

I started painting graffiti on walls when I was 15 and living in Thessaloniki. Over time, my thoughts about art evolved. I began creating installations in deteriorating areas of the city, mainly in abandoned factories. Since moving to Athens in 2014, I have frequently been invited to participate in gallery and museum exhibitions. For these venues I created sculptures that were site specific, independent freestanding works or pieces that could be installed on a gallery wall.

Primarily I work with discarded things - plastic, clothes, textiles and everyday items are my basic materials nowadays. I see value in things overlooked by others. Flowing from my history as a graffiti artist, I began building word sculptures. More recently I have also explored working abstractly, building objects and installations focused on composition and materials.

I deeply feel one can create meaningful work from small, ordinary things found abandoned on the street. Carefully observing my environment and experimenting with discovered materials, I construct meaning from the discarded, meticulously reconfiguring what society has worn out and broken. I restore life into forgotten places with what I have saved, giving a reason to consider places no longer noticed. For me, this work is essential.